Toni Braxton Babyface Album Rar
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About Babyface. An accomplished producer, songwriter, musician, and vocalist, Kenneth 'Babyface' Edmonds began his career in the early '80s with the Cincinnati-based band the Deele. He released his first solo album, Lovers, in 1986, which lead to six more solo discs by the end of the '90s. His lovelorn crooning won him legions of diehard fans.
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Toni Braxton & Babyface – Love, Marriage & Divorce (2014)FLAC (tracks) 24 bit/44,1 kHz Time – 43:46 minutes 582 MB Genre: R&BOfficial Digital Download – Source: HDTracks.com Digital booklet @ MotownLove, Marriage & Divorce is the latest R&B album featuring Toni Braxton and Kenneth “Babyface” Edmonds. The two first collaborated in 1992 for the single “Give U My Heart,” the soundtrack to the film Boomerang. This is Babyface’s first album release in seven years and Braxton’s first new album since 2010. The album features hits “Hurt You” and “Where Did We Go Wrong”.On Love, Marriage & Divorce, Toni Braxton and Babyface, creative partners going back to the early ’90s, rekindle their musical relationship. Both endured broken marriages, and presumably it’s those experiences that inform the material here — a succinct collection of 11 songs, eight of which are duets.
The emphasis is on divorce, indicated from the very beginning on “Roller Coaster,” where Babyface enters with “Today I got so mad at you, it’s like I couldn’t control myself.” The set finishes with the bittersweet “The D Word,” seemingly a Sade homage, in which Babyface confesses “You still own my heart, forever and ever and ever.” Moments that deviate from issues of romantic strife are few. The duo don’t seem nearly as connected to them. “Sweat,” a slinking groove, is like the “Love During War” to Robin Thicke’s “Love After War,” while “Heart Attack,” near the album’s end, is a retro-disco move that seems more like a throw-in than a crucial part of the album. The sequence of songs plays out like scenes on shuffle.
Either that, or the relationship is extremely up and down; the singers sometimes sound as if they are addressing ex-lovers from other relationships.